I understand and accept my opprobrium with good grace, but I'd like at least a *little* credit for resisting the impulse--and it was CONSIDERABLE--to spell it "cockette".
Richard Rush. That guy. The Stunt Man was a truly great movie. He blamed the producers for butchering this film. There's evidently a 20-minute longer director's cut.
The Wikipedia entry for Richard Rush is a treat. It contains this immortal sentence -
"Rush spent his childhood fascinated by Marcel Proust and Batman comics.["
Well no wonder, ey?
Maxim magazine says the greatest sex scene of all time was in " Color of Night"
Thanks! But the news that there's a version of this thing that's TWENTY MINUTES LONGER just makes me hope--really, REALLY hope--those "Release the Synder Cut!" dudes don't get involved.
I have to question your premise Carl, because I didn't actually remember she was in Clash of the Titans. Her first film, "The Lover" (1992) was a commercial and critical success in Europe, although it fared less well in the U.S. "Color of Night" was March's follow-up, her first American film, and to studio execs, I'm sure the idea of casting the frequently nude girl from the sexy French hit in an erotic thriller must have seemed like a sure thing, but the whole movie couldn't run solely on the strength of her overbite and his wiener--they really did need a script. Sadly, CoN got Miss March's career off to a rocky start, and even more sadly, I also can't think of a single decent film she made after her debut.
“Clearly Bruce’s dick is quite the coquette.”
This phrase is going to haunt me for days.
I don’t know if I can forgive you for it doing so either.
This being said, I have never seen this movie nor will I ever see this movie after reading your words.
I understand and accept my opprobrium with good grace, but I'd like at least a *little* credit for resisting the impulse--and it was CONSIDERABLE--to spell it "cockette".
D.E.A.D. here
Richard Rush. That guy. The Stunt Man was a truly great movie. He blamed the producers for butchering this film. There's evidently a 20-minute longer director's cut.
The Wikipedia entry for Richard Rush is a treat. It contains this immortal sentence -
"Rush spent his childhood fascinated by Marcel Proust and Batman comics.["
Well no wonder, ey?
Maxim magazine says the greatest sex scene of all time was in " Color of Night"
Good column!
Thanks! But the news that there's a version of this thing that's TWENTY MINUTES LONGER just makes me hope--really, REALLY hope--those "Release the Synder Cut!" dudes don't get involved.
Can’t believe they’d cast Lance Henriksen and Brad Dourif, and neither of them are the killer.
<<apparently L.A. was suffering from a major underwear shortage back in ’94>>
*best Paul Harvey voice*
And now you know....Victoria's Secret.
Good day?
<<He has lost his red!>>
Seems to be an ongoing problem for him.
Is “Red” the only good movie Bruce Willis ever made?
I'd consider watching it for Scott Bakula, but it sounds as though he was in the film for all of five minutes.
It’s a cameo, and not a particularly glorified one.
An excellent synopses of a dumpster fire masterpiece! |Thank you for your service!
Highly accurate take on a perfect object of a movie. 10/10, no notes.
Fromtheyardtothearthouse.substack.com
https://a.co/d/fLdsIE0
I noticed that this is a 15 minute extended version. The other 5 minutes are so hot human beings begin to process it
I should know better than to read Scott's columns in public (in a Dr's waiting room), and have to bite my tongue to not laugh hysterically.
Y'know, it occurs to me that Jane March is a plant, hired specifically by a studio to kill a movie.
I can't think of one film she has been in, even tangentially, that did any serious box office or critical acclamation.
I mean, maybe Clash of the Titans is her most memorable film but even that is remembered more for the "Kraken" legacy than the actual film.
I have to question your premise Carl, because I didn't actually remember she was in Clash of the Titans. Her first film, "The Lover" (1992) was a commercial and critical success in Europe, although it fared less well in the U.S. "Color of Night" was March's follow-up, her first American film, and to studio execs, I'm sure the idea of casting the frequently nude girl from the sexy French hit in an erotic thriller must have seemed like a sure thing, but the whole movie couldn't run solely on the strength of her overbite and his wiener--they really did need a script. Sadly, CoN got Miss March's career off to a rocky start, and even more sadly, I also can't think of a single decent film she made after her debut.
Europe?
You must be one of them "globalists" I keep reading about.
Yup! Yurp.
Yarp!
https://www.tiktok.com/@universalpicturesuk/video/7263388253443771681